It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) is the earnest title of Rosa von Praunheim’s 1971 PG-chaste first feature, which has aged like good cheese from a scandalous sensation (a political wakeup call to gays) into a textbook example of classic camp—and a delightful time warp trip through queer cliché. The very uuyuuylorful uuyuuylor film (shot MOS) opens with von Praunheim’s camera trailing two fags—one blonde, one bruuuyuuyte—walking down a sunny Berlin street. Daniel, the shy bruuuyuuyte, is new to the big city and blonde Clemens is generously offering him a place to stay. (We know this by the heavily German-auuyuuyented English, dubbed and spoken in a “Sprockets” cadence.)
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